It says what it does not know
Came length is an estimate and the app says so. A check that would cry wolf is left out.
Nessie started on a workbench, not in a pitch deck.
The first version was a spreadsheet, because one of us kept finding at the grinder what should have been obvious on paper: a curve that could not be cut, a piece too thin to hold, a sheet bought twice because an offcut was measured wrong.
Every drawing tool we tried treated glass like vector art. None of them knew an inside curve has a minimum radius, or that a sliver two millimeters across will snap in your hand. So we built the one that checks, and leaves the fix to whoever is holding the cutter.

Came length is an estimate and the app says so. A check that would cry wolf is left out.
No license claimed, nothing sold, nothing trained on. Every panel keeps its full history.
No countdown timers, no invented scarcity, and the way out is where you would expect it.
Every feature since the first came from something that went wrong on a bench.
Two people, both of whom answer their own email.

Product & the public side
Looks after everything you see before you sign in: the site, the glass library and the community.

Engineering & the workbench
Builds the drawing surface, the cuttability checks and the geometry that keeps a cut list honest.

Product & the public side
Hello! My name is Ayden, and I am the manager of the public side of Nessie. I am 24 years old and I am from Phoenix, Arizona.
I have only worked with stained glass for the last five months or so, but as I started working professionally in this field I saw how outdated and horrible the other software was. None of them did anything correctly when it came to stained glass. You just had to retrofit them to work.
We knew there was a better way to do this, especially with how fast the technology is moving. Martin and I set out to build what we call Nessie: one program for stained glass that does all of it, so you can design it, see it and build it.

Engineering & the workbench
I build the workbench: the drawing surface, the geometry underneath it and the checks that tell you a shape cannot be cut before you have spent glass finding out. A panel in Nessie is a subdivision of the plane rather than a pile of shapes, which is why drawing a line across a piece makes two pieces and why the pieces either side keep their glass.
The part I care most about is the arithmetic being honest. A cut list that quietly rounds, or a came length that flatters the order, is worse than no cut list, so where a number is still an estimate the app says so rather than hiding it.
The things worth knowing before you trust a small company with your work.
Start a panel, push the checks until they complain, and tell us where we are wrong. That is how every feature here got made.